On Wednesday 16 continues in the Screening Room DCEA, the series devoted to investigate the echoes of the concept of Friedrich Nietzsche Superman in the movies, by who have passed The Rope, Hitchcock and Apocalypse Now, FF Coppola.
German philosopher performed by treating the concept a devastating critique of the moral imperative in the Western world. He also proposed to re other grounds morality at odds with the decadent values \u200b\u200bproclaimed by Christianity and the bourgeoisie. Through the screening of five films will be able to see the echoes of these ideas in contemporary cinema. Respecting the autonomy and diversity of philosophical texts and films, there will be an exercise in interdisciplinary dialogue in order to enrich the understanding of both films as Nietzsche's work.
This Wednesday 16 be screened a masterpiece of Italian cinema: The Innocent, by Luchino Visconti.
functions are Wednesday of March at 21pm in DCEA Screening Room, 40 Wilde . Admission is free free .
For more information and receive the current schedule, write to decea.chaco @ gmail.com , or reported to 03722 452941, or www.deceachaco.blogspot.com . They can also follow us on Facebook, the user DCEA Chaco.
THE INNOCENT, Luchino Visconti, Drama, 123 ', Italy.
living in Tuscany Tullio and Giuliana, two young lovers who have liberal ideas about love. However, their relationship seems to be more complicated when he realizes Giuliana expecting a child by another man. Tullio, learning, making a terrible decision. Based on the novel by Gabriele D'Annunzio, in "The Innocent" Luchino Visconti plasma all his obsessions and delves into the decadence aristocratic class, to which he belonged, whose end is near. A play which highlights the work of impeccable staging and an excellent interpretation of actor Giancarlo Giannini.
PROGRAMMING:
March 16: THE INNOCENT, Luchino Visconti (1976)
March 23: Unforgiven, Clint Eastwood (1992)
March 30: THEOREM, Pier Paolo Pasolini (1968)
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