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CYCLE "THE SUPERMAN IN THE CINEMA OF NIETZSCHE. THE ROPE OF HITCHCOCK. WEDNESDAY, 2, 21

This Wednesday, March 2 begins in DCEA Screening Room, a series devoted to investigate the echoes of the concept of Friedrich Nietzsche's Superman in the movies . The German philosopher made through treatment of this concept a devastating critique of the prevailing moral the Western world. He also proposed to re other grounds morality at odds with the decadent values \u200b\u200bproclaimed by Christianity and the bourgeoisie. Through the screening of five films will be able to see the echoes of these ideas in contemporary cinema.

respecting the autonomy and diversity of philosophical texts and films, there will be an exercise in interdisciplinary dialogue in order to enrich the understanding of both the films and the work Nietzsche.

For that, those interested in accessing introductory texts, can apply for a decea.chaco @ gmail.com.

The cycle begins Wednesday, March 2 with The Rope, Alfred Hitchcock, famous for his technique of flat-sequence, ie, appears as filmed in real time, without breaks in the action.

functions are Wednesday of March at 21pm in DCEA Screening Room, Wilde 40 . Admission is free free .

For more information and receive the current schedule, write to decea.chaco @ gmail.com , or reported to 03722 452941, or www. deceachaco.blogspot.com . They can also follow us on Facebook, the user DCEA Chaco.

PROGRAMMING:

March 2: THE ROPE , Alfred Hitchcock (1948)

March 9: APOCALYPSE NOW, Francis Ford Coppola (1979)

March 16: THE INNOCENT, Luchino Visconti (1976)

March 23: Unforgiven, Clint Eastwood (1992)

March 30: Teorema, Pier Paolo Pasolini (1968)

LA SOGA, Alfred Hitchcock, Thriller, 80 ', USA.

Two friends strangle a classmate of power by the mere fact of being intellectually superior. To confuse the story, hiding the body er a trunk on which to serve the dinner are invited parents and friends of the murdered boy.

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HS 2001, A Space Odyssey, Close the Loop KUBRICK. MONDAY 28, 21 HS

The Resistance Cineclub opened 2011 with a series devoted to Stanley Kubrick . In his last role, will be screened on Monday 28 2001, A Space Odyssey (1968), most famous film director.

function is performed 21 pm in DCEA Screening Room, 40 Wilde. Admission is free and open .

2001, Space Odyssey (1968), 143 ', color.

This science fiction film addresses issues such as human evolution, technology, artificial intelligence and life alien. It is characterized by a remarkable scientific realism, revolutionary special effects, its ambiguous and surrealistic images, the use of sound in place of traditional narrative techniques and minimal use of dialogue.

The screenplay was written by Kubrick and writer Arthur C. Clarke, based on a novella by the writer entitled The Sentinel. Its plot centers on a team of astronauts trying to follow the signs of a strange monolith, which seems to work alien.

The soundtrack includes music by Richard Strauss (the introduction of Thus Spoke Zarathustra), Johann Strauss György Ligeti child and accompanying the images of space.

is one of the most acclaimed films of American and world cinema, the advanced special effects earned him an Oscar in that category.

This film is considered one of science fiction films are more respectful of the laws of physics ever made. Scenes like the shuttle docking with the space station, the absence of sound in space and other care as the design details of the ship Discovery marked a milestone in the genre.

"2001 is a nonverbal experience: two hours and 19 minutes of film, only slightly less than 40 minutes of dialogue. I tried to create a visual experience that transcends the limitations of language and directly penetrates the subconscious with its philosophical and emotional burden. I wanted the film to be an intensely subjective experience that reach the viewer on an inner level of consciousness as music does. "Stanley Kubrick.

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SIGNS AGREEMENTS OF PROVINCIAL DEVELOPMENT FUND FOR AUDIOVISUAL PRODUCTION MY BLUEBERRY NIGHTS

This morning, after a conference press at the Institute of Culture, the President of that institution, Silvia Robles, along with Marcelo Perez, in charge of the Department of Cinema and Audiovisual Area (DCEA) signed agreements Provincial Fund for the Promotion of Audiovisual Production. The event were also the directors who were recipients with the funds, while some of the money received to start implementing the projects.

For its part, Silvia Robles said: "We are here today to sign agreements for projects that meet provincial policy of the Institute to encourage the production of content. I congratulate all the filmmakers, and express the deep pride we feel to be leading the Institute, with policies that strengthen independent activity of our filmmakers. These filmmakers, what we are proposing with these projects is to redouble the commitment so that we can continue this line, and this is multiplied by 10, 20 or 30. Because, really, what's next in relation to Digital TV, and remembering what he said governor Jorge Capitanich to expand cultural industries, the production of content will be absolutely privileged. "

turn, Marcelo Perez said: "The Provincial Development Fund for Audiovisual Production complements provincial policy. At the beginning of the administration, inaugurated in December 2007, when creating the DCEA, began a process of intensive and systematic use of language. It workshops were organized in various parts of Chaco. Parallel has spread other film that has nothing to do with commercial films, all that has paid out a field, a job that was needed in our province so that people can tell their own stories. "

"In the middle of last year we launched this competition, which is financing the project as the last step of this process. This form of financing the projects is absolutely transparent, with a regional perspective. The Fund is a start and comes to stay. It is a decision that goes beyond this first contest, is a permanent policy of the Institute. This fund consists of a 50 percent share the INCAA gives each of the provinces. With this, we ensure that the resources provided by the INCAA go to the filmmakers. Something to note is that it will support six projects, five for its realization, and one for developing a feature project. Two of these projects come from the interior of the province. Currently, the region has 24 projects that are being filmed, of which 11 are Chaco, "said Perez. "Clearly, the role that our province has regional dynamics. This shows that here were people eager to tell their stories all you needed was a strong state to help develop activities that can not sustain themselves, "he concluded.

PROGRAM

evaluator The jury consisted of projects Monsu Axel (Misiones), Guillermo Elordi (Formosa ) and Juan Miranda (Paraguay). The Fund gives $ 50,000 in prizes to filmmakers Chaco projects, which will be materialized in short documentaries and feature films, television series and projects films. Note that this instance is unique in the NEA, with a production proposal very important for young filmmakers.

The criteria for determining the winners are: originality of the project and transmission of the idea of \u200b\u200bthe project feasibility, professionalism in the presentation, and regional identity, among others, and were prioritized content that contribute to building a more comprehensive, just and respectful.

WINNERS AND ALTERNATE

CATEGORY 1

TV Documentary Series: Peasants Gran Chaco. Presenter: Amilcar Soto. Award: $ 20,000.

CATEGORY 2

Short Documentary: Ecos del Cacique. presenter: Leandro Javier Kek, Award: $ 5,000.

CATEGORY 2

Alternate Short Documentary: Heirs of the Past . Presenter: Ricardo Esteban Sosa.

CATEGORY 3 Live Action Short Film

: First Prize: Memories of the Present. Presenter: Natacha Grabre Camors. Award: $ 7,000.

CATEGORY 3

Short Fiction: Second Prize: Riding Hood and the Woodsman in the Monte . Presenter: Sonia Bertotti. Award: $ 3,000.

CATEGORY 3

Short Fiction: Substitute: Pigeon. Presenter: Julian Matta.

CATEGORY 4

Microphones for TV: Desert.

CATEGORY 5

Development Project Feature: Clay Pigeons. Presenter: Rolando Ruiz. Award: $ 5,000.

CATEGORY 5

Salvatierra. Presenter: Maria Paz Bustamante.

Development Feature Project: Substitute

CATEGORY 6

students Short

Winner: Time measures. Presenter: Jessie Vasileff. Location: Du Colonel Graty. Award: $ 5,000.

Winner: Ida y Vuelta. Presenter: Cintia Lorena Paz. Location: Colonel Du Graty. Award: $ 5,000.

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, LAST ROLE OF WONG KAR WAI. WEDNESDAY 23, 21 HS.

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During February a series dedicated to Hong Kong director Wong Kar Wai in the cycle DCEA Film Analysis.

This Wednesday 23, at 21 pm , will be screening the latest film from director, My Blueberry Nights, featuring jazz singer Norah Jones .

functions are held every Wednesday February at 21 pm in the Screening Room DCEA , Wilde 40 with free admission .

In March will be a series devoted to The superman of Nietzsche in film, with films like Apocalypse Now, FF Coppola and Alfred Hitchcock's Rope , among other

More information www.deceachaco.bogspot.com . To receive the current schedule, please ask decea.chaco @ gmail.com or 03722 452941 or Facebook, the user DCEA Chaco.

Feb. 23: MY BLUEBERRY NIGHTS (2007) Color, 90 '

Starring jazz singer Norah Jones, Natalie Portman and Jude Law, My Blueberry Nights is a sad song in three parts. This English-language debut of Wong Kar-Wai brings us three stories about addiction, alcohol addiction, gambling addiction and, above all, addiction to love. Nothing really deep is discovered ... The director is chasing a feeling or a mood, an atmosphere, the way it did in In The Mood For Love seven years ago. Your camera records how people smoke and eat and watch windows. The doors locked and the space itself to people. In Hong Kong, this technique served as metaphor for life. But in Manhattan and the casinos of Nevada, this confinement is more emotional than physical.

DIRECTOR

industry In Hong Kong, mostly from commercial cinema, the director Wong Kar Wai has managed to rise, with a poetic vision of life called "poet image "which, together with his trusty cinematographer, Christopher Doyle, the Australian has returned to the film scene and Eastern postmodern revision of that style of cinema in the sixties practiced since the French New Wave.

His films as stand as the new master of melodrama, heir Fassbinder and Douglas Sirk, but this is an urban melodrama, crossed by the signs of our time (even if the film is set in the past): isolation, inability to give to the beloved, eternal movement.

The visual quality of the images, colors unique, the charged atmosphere of nostalgia and the music of his films shocking turn him into an inescapable director.

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THE SHINING, Kubrick, on the cineclub RESISTANCE. MONDAY 21, 21 HS

The Resistance Cineclub opens 2011 with a series devoted to Stanley Kubrick . After sharing movie like A Clockwork Orange and Lolita, the function of Monday 21 is dedicated to a horror classic: The Shining.

closed cycle February 28 to 2001: A Space Odyssey.

functions are performed Monday in February at 21 am in DCEA Screening Room, 40 Wilde . Admission is free and open .

also convenes a meeting to program functions March , which can involve all stakeholders. It will be one hour before performance at 20 hours in the Board of DCEA.

THE GLOW OF STANLEY KUBRICK (1980). 147 '.

Based on the novel by Stephen King , is considered the damn movie by Stanley Kubrick. In addition to the superhuman power to which it submitted to all the actors and set fire sets the Overlook hotel, which delayed filming for several weeks ", he joined the series of misfortunes a reduction of footage from the European version.

One thing that always worried Stanley Kubrick was the commercial of his films, used to say that every film to raise $ 100 million would be a good thing necessarily. Therefore should affect especially the resounding commercial failure of Barry Lyndon and suggested that his next film was a huge success. Finally almost succeeded: 95,000,000 raised.

True to form, in The Shining Kubrick introduced a technical innovation without which it is inconceivable that the movie would have been the same. It is the invention known as Steadycam, a camera mount that allowed and even run with it climb stairs without shake the image. It is widely used in scenes where the camera pursues the target with great mobility, such as the child rides a tricycle or racing through the maze of hedges.

Starring a wonderful and scary Jack Nicholson, has inspired countless tributes followed, ranging from The Simpsons to dozens of video clips.

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South
OPEN LETTER GBA


"If history is written by the winners, that means there's another story ..." In Burzaco
of Belgrano, on Tuesday, February 15 , 2011 at 17:18

The political, social, associational and institutional end details, for more than a year been working jointly with the Secretariat for Human Rights and Equal Opportunities, in community activities that have do with the mobilization and participation. In this framework is that we are calling on all Almirante Brown neighborhood and surrounding areas to participate in the open-air screening of the film "Belgrano" in Delgüi Plaza, located at 9 de Julio Roca, Burzaco City, at 21 am on Saturday 26 February 2011; end of which, and after a vigil, "with Matthew and debate", waiting for the February 27, marched to the Plaza Manuel Belgrano Burzaco to unveil a plaque commemorating the 199 anniversary of creation of the National Flag, as well, paying homage to those neighbors that more than seventy-two years they decided to give us the first monument to a flag.

Indeed, a February 27, 1812, General Manuel Belgrano, on the banks of Villa del Rosario, along the Parana River, in what is now the city of Rosario, created the flag and made them swear allegiance to his soldiers. For this reason, a June 20, 1957, was inaugurated in the same city, which everyone knows as "The Monument to the Flag." However, this was not the first monument to our national, as fourteen years before the July 25, 1943, was opened, which is located in the center of our square Manuel Belgrano Burzaco city.
In full accordance with the national government's cultural policy and its historic vision brilliantly captured during the Bicentennial, we should pay tribute to who was the greatest revolutionary of our independence. The official story, unable to deny it, has tried to downplay his historic role relegated to mere patriotic merit of having created the flag, so to design a football shirt. Undoubtedly, the creation of that emblem, would disrupt the colonialist intentions, English and British, to which several members of the government of Buenos Aires, then, wanted to second. Moreover, the brilliant battles of Tucuman and Salta, as well as the epic "Exodus Jujuy" is portrayed not only as a brilliant military without the profession, but as a revolutionary leader entire peoples entrusted their destiny of freedom.
In line also with the policy developed by the Ministry of Culture of the Municipality of Almirante Brown, is that we pay homage to those neighbors with the same historical perspective and excellent artistic condition, and from the plains, led by sculptor, Claudio León Sempere , gave us such cultural heritage monument, which was paid for, absolutely, by the inhabitants of the whole Party of Almirante Brown.

Who we are part of the National People's field, we believe strongly that to recover the history is the indispensable condition for the collective experience not lost and not frustrate the new generations that they endorse the old utopias of those who fought and gave their lives so many thousands of Argentines over two hundred years of history. The hope to enjoy with family and friends, an event that we engage with our historical past and also the local National, everyone is invited. Bring chairs, pre Matte teams feel at home

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STAKEHOLDERS AND INFLATION HEROES OR VILLAINS



South
OPEN LETTER GBA

STAKEHOLDERS AND INFLATION



We have expressed in previous articles that the phenomenon of inflation is not produced by the grace of the Holy Spirit, or by osmosis, or by weather, but by the concrete action of men who represent the interests of industry and in many cases the goal is to protect that interest timely sector and in others the aim may be, as evidenced by the facts that have happened in recent times, deliberately undermine a government, when certain policies are the opposite of what they want those power sectors. The traumatic events that we experienced in our country as a result of inflation, we have wasted ingenuity to keep believing that there's no charge, and prices up alone, like one who throws a balloon into the air and nobody can stop it.
is hard to believe that when a particular decide to sell your home, car or other property, appears from nowhere, a poster is provided, both its value as forms of payment, even so hard to believe that the price of potatoes, meat, a passage to the coast or a lease, is the product of Divine Providence and the decision not interested in someone who wants to make a profit. Supposedly there is a calculation of costs and risks that exist in every enterprise and / or activity is carried out, which is understandable. What is not understood, that never say, is what those costs and if they are related to the prices they charge to the public.
In the past we said that inflation was a result of excessive ticketing, or lack of production, or because it increased the dollar, and oil. Today there are none of these factors, yet prices rise disproportionately, resulting in a significant loss in the purchasing power of wage sector. It is time, then, to say clearly that inflation is generated by some unscrupulous employers dominant position in the market that are leading oil companies, automakers, flour, soy pools, soft drinks, meats, etc., And the own state with its anachronistic tax policy, which dates back to the neo, is opposed to the equitable distribution model that attempts to apply, in addition to the absence of effective regulations to prevent this festival speculative. We must also say that we as consumers must demand and strongly denouncing the Consumer Ombudsman, or where appropriate, increases when abusive in any consumer product. So here, all stakeholders share responsibility in the matter of inflation, whether by action or omission, but needless to say, that the greatest responsibility lies with the dominant group prevail especially in the food market, and have arbitrarily decided that the board of the Argentine is now one of the most expensive in the world, when it should be the opposite, since we are a major food producing countries.
We must say that both the food production sector and the industrial sector have never supported a political project of emancipation from world markets, nor have they ever allowed genuine economic development, healthy and strong including all productive sectors in profit sharing and that gives the country a sustainable economic model, rather than an anabolic model, ie inflated product growth based on speculation and not actual production. By contrast, boycott every attempt is made to that effect and participate fully in each event is generated destabilizing to weaken the government.
This is an election year, so hopefully that will produce some significant events that aim to damage the effective governance, although we know that as always the hardest hit sector is the thickness of the worker and the subject of inflation will be without doubt one of the strongest weapons they will use to achieve their purposes. Therefore we must be careful and not get carried away by this kind of maneuvers that many of us know well. On the other hand the Government must be more energetic in the relevant controls and create legal instruments that allow citizens to join him in this task, so that their claims are more effective, and who raise prices arbitrarily, be punished accordingly and does not enjoy impunity we see today. Martin J.

Silva
fopaci2008@yahoo.com.ar
February 2011.