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DCEA, Pasolini. LAST ROLE OF "THE SUPERMAN IN THE CINEMA OF NIETZSCHE. WEDNESDAY 30, 21 HS

cycle ends March Film Analysis cycle devoted to reviewing the references of the Superman movies as Nietzschean concept. The last show will be devoted to a classic as disturbing as revolutionary Teorema, Pier Paolo Pasolini.

This Italian film takes the concept of Nietzsche's superman, giving a new meaning from their ideology. The result is a moving film of impeccable visual beauty.

The function will be held Wednesday, March 30 at 21pm in Screening Room of DCEA, Wilde 40 . Admission is free free .

During April share a cycle with great films of German director Fritz Lang, from the Auditorium of the Casa de las Culturas.

For more information and receive the current schedule, write to decea.chaco @ gmail.com , or call 452 941 to 03 722. . They may also follow Facebook, the user DCEA Chaco.

THEOREM, Pier Paolo Pasolini, Drama, 93 ', Italy.

A family of well-off comes a strange visitor. With its powerful physical attractiveness and personal charisma, he is seducing one by one: the maid, the son, daughter, mother, and finally the father. A few days after falling on their networks, the visitor and the family is perplexed without knowing how to continue with their stock. From that moment, try to find an answer to the mysterious origin of the seducer.

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Chronicle of an Escape, DE CAETANO, Close the Loop "MONTH OF THE MEMORY OF RESISTANCE CineClub. MONDAY 28, 21 HS

This Monday 28, at 21 ends with Chronicle of an Escape from Adrián Caetano , March cycle Cineclub Resistance March, month memory, which is shared movies inquired about the dictatorships in Latin America.

March is the month of memory in Argentina, a moment that moves us to think critically about the coup that imposed a civil-military dictatorship between 1976 and 1983. Thinking of America as the great country that dreamed generations, we present films that reflect a similar reality throughout the continent.

functions are performed Monday in March, at 21 in DCEA Screening Room, Wilde 40. Admission is free and open . They can follow us on Facebook, the user Cineclub Resistance.

Chronicle of an Escape, by Adrian Caetano. Argentina, 2006. 212 ', color.

Buenos Aires, 1977. A task force to serve the military government kidnaps Claudio Tamburrini (Rodrigo de la Serna), goalkeeper of a soccer team, and takes him to a clandestine detention center known as the 'Sere Mansion': an old aristocratic house of the peripheral district of Morón, province of Buenos Aires. Claudio meets Guillermo (Nazareno Casero) in this sort of madhouse without rules, where several young live in hopes that their fates. After four months of captivity, Claudio, William and two other roommates, open the window and jump in the middle of a thunderstorm, completely naked. Your future starts here.

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CASTING CALL FOR A MINISERIES

call on the casting for the fight, a fiction miniseries filming in the province of Corrientes during the months of April and May. Wanted actresses and actors from age 6, regardless of age . It is not necessary to have previous experience.

Its director, Maximiliano González mission will meet personally with applicants.

The call is Saturday March 26th from 10 until 12:30 pm at the Library Marino, Santa Fe 847, Corrientes.

RINA is a fiction miniseries , with 8 chapters of 26 minutes, written and directed by Maximiliano González, a renowned director missionary, whose previous works have awarded prizes in national and international film (France, Cuba, Chile, Mar del Plata, Tucumán, Gualeguaychú, among others).

The miniseries has been winning the C oncursos Digital TV , organized by the National Institute of Cinema and Audiovisual Arts (INCAE) and the Advisory Council Argentine System Digital TV Land, through its Operating Plan Development and Promotion of Content for Digital TV.

The story, set in the Corrientes 1935, reflected through a love story whose main characters are musicians chamamé, identity and idiosyncrasy of the land, and the strength, passion and solidarity of men and women of our region. The story takes real elements counted the director for his father Corrientes.

The project has the support and declaration of interest in the Department of Culture and Tourism Undersecretary of Corrientes.

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Unforgiven, Clint Eastwood, IN THE SERIES "THE SUPERMAN IN THE CINEMA." WEDNESDAY 23, 21 HS

During March, the Cycle Film Analysis suggests a cross between philosophy and speeches film. So, visit the work of Friedrich Nietzsche , one of the most important thinkers of the West. His concept of Superman has revolutionized the way we think, introducing this concept through a devastating critique of the moral imperative.

Thus, through the viewing five films of different nationalities and ages, be able to see the echoes of these ideas in contemporary cinema. Respecting the autonomy and diversity of philosophical texts and films, there will be an exercise in interdisciplinary dialogue in order to enrich the understanding of both the films and the work of Nietzsche.

The cycle continues Wednesday, March 23 with Unforgiven, Clint Eastwood, a classic contemporary western.

functions are Wednesday of March at 21pm in DCEA Screening Room, 40 Wilde. Admission is free and open .

For more information and receive the current schedule, write to decea.chaco @ gmail.com or call at 03722 452941, or www.deceachaco.blogspot.com . They can also follow us on Facebook, the user DCEA Chaco.

PROGRAMMING:

March 23: Unforgiven, Clint Eastwood (1992)

March 30: Teorema, Pier Paolo Pasolini (1968)

THE unforgivable, Clint Eastwood, Drama / Western, 131 ', USA.

twilight Western tells the story of William Munny, a retired gunfighter, a widower and father, who is in trouble. Years ago he left the violence, but now their only way to raise her family is doing one last job as a bounty hunter, accompanied by an old partner and a young and inexperienced rookie. His mission: to kill two men who cut the face of a prostitute.

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MACHUCA IN THE CYCLE "MONTH OF THE MEMORY OF RESISTANCE CineClub. MONDAY 21, 21 HS

cycle continues March Cineclub Resistance, " March, when memory " which share films which question the dictatorships in Latin America.

March is the month memory in Argentina, a moment that moves us to think critically about the coup that imposed a civil-military dictatorship between 1976 and 1983.

Thinking in America as the great country that dreamed generations, presenting films that reflect a similar reality throughout the continent.

functions are performed Monday of March at 21pm in DCEA Screening Room, Wilde 40. Admission is free and open . They can follow us on Facebook, the user Cineclub Resistance.

On Monday March 21 Chilean share Machuca.

Monday 21 March: MACHUCA , Andrew Word. Chile, 2004. 212 ', color.

There was previously another Sept. 11, much more tragic, but with less marketing history. One day in 1973 was overthrown the democratic government of Salvador Allende in Chile. Resisted Allende in La Moneda Palace the attacks rebels of Augusto Pinochet and his army, and ended up committing suicide. This is one of many Latin America hinges 70 '. That which fell into the most absolute darkness. Machuca takes these episodes, from the before and after, through the intimate relationship of three children of different social classes. And it does so with unusual tenderness, the pamphlet away easily, but without avoiding a political perspective.

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THE INNOCENT, Visconti, SUPERMAN IN THE CYCLE OF NIETZSCHE IN FILM. WEDNESDAY 16, 21 HS

On Wednesday 16 continues in the Screening Room DCEA, the series devoted to investigate the echoes of the concept of Friedrich Nietzsche Superman in the movies, by who have passed The Rope, Hitchcock and Apocalypse Now, FF Coppola.

German philosopher performed by treating the concept a devastating critique of the moral imperative in the Western world. He also proposed to re other grounds morality at odds with the decadent values \u200b\u200bproclaimed by Christianity and the bourgeoisie. Through the screening of five films will be able to see the echoes of these ideas in contemporary cinema. Respecting the autonomy and diversity of philosophical texts and films, there will be an exercise in interdisciplinary dialogue in order to enrich the understanding of both films as Nietzsche's work.

This Wednesday 16 be screened a masterpiece of Italian cinema: The Innocent, by Luchino Visconti.

functions are Wednesday of March at 21pm in DCEA Screening Room, 40 Wilde . Admission is free free .

For more information and receive the current schedule, write to decea.chaco @ gmail.com , or reported to 03722 452941, or www.deceachaco.blogspot.com . They can also follow us on Facebook, the user DCEA Chaco.

THE INNOCENT, Luchino Visconti, Drama, 123 ', Italy.

living in Tuscany Tullio and Giuliana, two young lovers who have liberal ideas about love. However, their relationship seems to be more complicated when he realizes Giuliana expecting a child by another man. Tullio, learning, making a terrible decision. Based on the novel by Gabriele D'Annunzio, in "The Innocent" Luchino Visconti plasma all his obsessions and delves into the decadence aristocratic class, to which he belonged, whose end is near. A play which highlights the work of impeccable staging and an excellent interpretation of actor Giancarlo Giannini.

PROGRAMMING:

March 16: THE INNOCENT, Luchino Visconti (1976)

March 23: Unforgiven, Clint Eastwood (1992)

March 30: THEOREM, Pier Paolo Pasolini (1968)

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The Empty Nest, IN THE MONTH OF THE REPORT OF THE DC RESISTANCE. MONDAY 14, 21 HS

Cineclub In March Resistance share a series devoted to films which question the dictatorships in Latin America.

March is the month memory in Argentina, a moment that moves us to think critically about the coup that imposed a civil-military dictatorship between 1976 and 1983.

Thinking in America as the great country that dreamed generations, presenting films that reflect a similar reality throughout the continent.

functions are performed Monday of March at 21pm in DCEA Screening Room, Wilde 40. Admission is free and open .

Monday 14 March: The Empty Nest , by Claudia Llosa. Peru, 2009. 103 ', color.

The movie, spoken in English and Quechua, focuses on the fears of women who were raped during the political violence that rocked Peru in the last two decades of the twentieth century. She was awarded the Golden Bear for best film at the Berlin film festival. In 2010 she was nominated for an Oscar (USA) in the category of best foreign language film, losing to The Secret in Your Eyes.

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APOCALYPSE NOW, THE FF COPPOLA IN THE CYCLE "the superman of Nietzsche IN FILM." WEDNESDAY, 9, 21 HS

Continued on Screening Room DCEA a series devoted to investigate the echoes of the concept of Friedrich Nietzsche's Superman in the movies . The German philosopher made through treatment of this concept a devastating critique of the moral imperative in the Western world. He also proposed different foundations to restate the antithesis of moral values decadent proclaimed by Christianity and the bourgeoisie. Through the screening of five films will be able to see the echoes of these ideas in contemporary cinema. Respecting the autonomy and diversity of philosophical texts and films, there will be an exercise in interdisciplinary dialogue in order to enrich the understanding of both the films and the work of Nietzsche.

functions are Wednesday of March at 21pm in DCEA Screening Room, 40 Wilde. Admission is free and open .

This Wednesday 9 share the mythical Apocalypse Now, Francis Ford Coppola , the movie-hell people who undertook the challenge after the success of The Godfather.

Those who want to receive introductory texts on the subject, in order to enrich the dialogue, they can apply to decea.chaco @ gmail.com or call at 03722 452 941. They can also follow us on Facebook, the Chaco DCEA user.

APOCALYPSE NOW, Francis Ford Coppola, Belize / Drama, 153 ', USA.

Captain Willard is an officer of the intelligence the U.S. military who has been charged in Cambodia, a dangerous mission to move upstream to kill Kurtz, a renegade American Colonel gone crazy . Deep in the jungle, in a camp strewn with rotting corpses and severed heads, the large and enigmatic figure Kurtz despotic leader as a Buddha on the Montagnard tribesmen, who worship him as a god. Coppola squeezed all his money, ambition and talent, which was not little, to film a fascinating descent into hell of the Vietnam conflict. A colossal work, as impressive as unique.

PROGRAMMING:

March 9: APOCALYPSE NOW, Francis Ford Coppola (1979)

March 16: THE INNOCENT, Luchino Visconti (1976)

March 23: Unforgiven, Clint Eastwood (1992)

March 30: Teorema, Pier Paolo Pasolini (1968)